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You truely understand what they imply whilst they are saying “it’s a Sundance movie”: the form of modest, often scrappy movies that helped transform Robert Redford’s Utah movie festival into both a welcome alternative to big-studio tentpoles (now more than ever!) and a kingmaking group. Sundance is a trap-all word, meaning you don’t ought to attend the festival to view a Sundance movie. If you have been left guffawing and slack-jawed, or simply touched, by means of movies like Eighth Grade, The Spectacular Now, Minari, or Half Nelson, to say some that premiered there and rightfully drew a bigger target market later, trust us: you understand what a Sundance movie is.
However, a less charitable variation of the phrase continues to be in use, implying a reasonably clichéd version of the programming that often appears at the pageant’s time table. These movies were criticized of being artisanal twists on stock sitcoms and problem-pushed dramas, presenting excessively familiar storylines with a dash of eccentricity. They’re regularly on the verge of fawning, a bit too eager for that smooth snicker, a hint too pushy in plying your heartstrings with arpeggios. Jury awards and exchange-mentioned transactions are common for them. Perhaps you noticed Garden State, Little Miss Sunshine, Me and Earl and the Dying Girl, or one of the many different movies on this style. “Woah, this is terrible. IMDB